Kinship, 1994 |
Lush Life, 1994 |
It's a Gift, 1993 |
The Butchers Shop, 1992 |
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Excerpt
CAC show mystifies, fascinates by Jerry Stein New Yorker Beck sets his characters in mundane situations—a summer picnic, a gathering in an artist’s studio, a party—but the mood is ominous. His colors can be vivid—a straw-yellow blonde, glowing baby-blue crescents on a woman's dress. The faces have realism but their expressions—children In painting titled "Kinship," for example—register trepidation, wariness and hostility. The look is not quite comic-book style, but close. Beck's social gatherings are something else altogether. He's party spoiler, painting occasions that should be fun but aren't. His women carry bows and arrows like modern-day Dianas. In the painting titled "It's a Gift," men sing in an artist's studio, while outside the windows a city is burning. There's a frightening surreal quality In some of Beck's work. In some of his pictures, figures seem to be coming out of the paintings to join the living. "The Butchers Shop" depicts a gang with cleavers, but they aren't your friendly Kroger types. These men have a little bit too much blood around to have been just cutting up some pork chops |